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Who is Franklin Livingston and some of his Pakistani American actor thoughts

Posted by Daniel

Meet Franklin Livingston and some of his American actor philosophy: Most actors go to either acting schools or study literature and some form of arts to become an artist. Some analysts have argued that the drama school studies that only focus on the craft of acting through body and mind make actors disconnect from the real world and what is required to be an effective member of society. That’s why in addition to their acting training, actors must also be familiar with disciplines such as science, politics, psychology, and sociology. Find even more details on Franklin Livingston.

Franklin Livingston reveals a stunning confession about his relocation to New York City, where he continues to witness several aspiring actors who are filled with the yearning to be seen on screen. It didn’t matter if it was a short film or a top Hollywood film. Although, most of them desire to feature in Hollywood films, but don’t get a chance to act in an ultra low budget project. This reason is causing some of them to develop mental health conditions for cloning on to such a wait.

Franklin has always been in love with cinema and has been making films since the age of 16. He has evolved as technology and style have progressed over the years, and he deeply enjoys the craft in every aspect. Despite excruciating long hours of creative thinking, planning, and executing, and typically being the first to and the last person to walk out of the film sets after sleepless nights, Franklin Livingston never falls out of love with expressing human emotion and capturing stories that need to be told. He believes that a good story must constantly be educating, entertaining and engaging. And that’s what he aims for in his productions.

Like someone that will put the needed effort in and behave like an actor both in the audition room and on the film set. Small acts of respect like turning the phone off before entering the audition room used to be a big indication of that, which is now lost in the “zoom room”. Then there is the emotional connection that you simply cannot make with your scene partner over zoom. So when we show up on set, it can produce some very dysfunctional results. Sometimes you will have very underprepared or undertrained actors that think all they need to do is recite their lines perfectly, but they have completely forgotten how to make that emotional, mental, physical, or spiritual connection with their scene partner(s) and get on moment-to-moment work to re-create a scene on set that they read on a piece of paper.

Especially in our current time — I believe that the utmost importance should be placed on awareness and empathy. My travels, experiences, and interactions have shown me that mainstream American Media and Art are just not illustrating the true human social condition and political climate we have been facing. The teams working with my companies are producing relentlessly to eliminate that void and fill it with compassion, enlightenment, and masterful storytelling.

Franklin has broad training from highly experienced professionals in the areas of drama and the more serious cinematic roles. In films produced in the United States, there are no such leading roles that are filled by qualified Pakistani actors. Franklin has spent significant time and effort acquiring the necessary training and expert guidance to fill these roles. Franklin has the particular skills and personality necessary as an American actor to proudly and personally take on the privilege of shedding light on many important socio-political issues. Including representation or the cross-cultural issues faced by recent immigrants. Franklin envisions changing the way stories are told in America while empowering day-to-day heroes. In his films, Franklin has shown the heroism of average men and women. He believes heroes don�t have to be fictional or over-the-top good-looking men and women. Since those are standards set by humans and are not closer to the principle of nature and the Universe. Franklin believes heroes are always born among average people, and they live among us, helping us on a day-to-day basis, making our world a better place.

What are some of the most interesting or exciting projects you are working on now? I have so many projects in the works right now, but my current favorite in post-production is “Down-Range” in which I played a U.S. Army major. There are a lot of officers in the U.S. military of Middle Eastern descent. However, in Hollywood movies and American TV shows all war heroes tend to be portrayed as Caucasian and the villains are people of color. I am shocked that even in our current time, TV has kept this tradition by producing a popular series “Jack Ryan” in which this outdated stigma is perpetuated.

Franklin has studied a multitude of acting techniques at Guildhall School of Music and Drama London, Moscow Arts Theater, New York Film Academy, Atlantic Acting School, the Meisner Studio of Tisch School of the Arts New York of New York University, and Yale University where he received training in acting, filmmaking, and directing as well. Franklin is a true New Yorker and enjoys exploring the city on foot and via subway absorbing the incomparable diversity of NYC. He loves to engage the local communities in breaking boundaries and building connections. When not on a film set or involved in community development, you will catch Franklin researching the past and the present anthropology, cooking, traveling, sightseeing, motorcycling, road tripping through the U.S., or maybe even jet-skiing.