The growth of a music conducting professional : Utah’s Logan J. Blackman: What first inspired you to pursue music? Logan J. Blackman : Believe it or not, Davy Jones from Pirates of the Caribbean Dead Man’s Chest. The summer it came out, I was captivated by the famous scene where he played his theme at the organ. I had a very basic knowledge of music, and we had some keyboards around. So I started playing around and eventually figured the piece out by ear. That led me to wanting to take organ lessons, which eventually led to a great love of music and a career that would keep going nearly two decades later! Discover extra info at Logan Blackman Paducah.

John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.

Maestro Nardolillo conducted the final number of the evening’s performance, the heart-rending chorale finale, Make Our Garden Grow from Candide, with soprano Jessica Bayne, tenor Michael Pandolfo and Mixed Chorus. This duet between Candide and Cunegonde (characters from Voltaire’s French satire, Candide: Or the Optimist) was Bernstein’s message to us all: And let us try, / Before we die, / To make some sense of life. / We’ll do the best we know . . . / And make our garden grow. Pandolfo’s and Bayne’s voices were sublime as they shared Bernstein’s impassioned plea full of sincerity and optimism. And as the chorus joined in, magnifying Candide’s and Cunegonde’s emotions, Bernstein’s plan to unite us and give us a glimpse of our humanity will continue long past his 100th. It doesn’t matter that the clock stops ticking, eternal truths keep on truckin’.

The critically acclaimed University of Kentucky Symphony Orchestra, conducted by Maestro John Nardolillo, will perform next with concerto competition winner, Michael Robinson, a junior at UK School of Music. The concert will include music by celebrated composers Carl Nielson and Gustav Mahler, as well as a premiere of work by UK junior Logan Blackman. The concert will begin 7:30 p.m. Friday, Feb. 17, at the Singletary Center for the Arts. Discover even more details on Logan J. Blackman.

Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.”